Back to the Batcave

Batman BeginsAlready, I’ve seen “Batman Begins” twice, which gives you some indication of how I feel about the movie. I wanted to write a long review of it, but time simply won’t permit it — and there’s no dearth of glowing reviews available elsewhere — so I thought instead I might comment on the context in which this new interpretation has debuted.

Watch the very end of Tim Burton’s 1989 version of “Batman” and you’ll see just one of many, many examples of why I found very little of redeeming value in the last major hurrah for this franchise. The scene provides that movie’s resolution: Jack Nicholson’s miscast and misplayed Joker has been vanquished (after a ridiculous showdown in which he shot down the titular hero’s plane with a handgun!). Gotham City’s mayor, district attorney and police chief are addressing a crowd on the steps of an overwrought City Hall set, publicly reassuring the citizenry that the danger has passed.

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Don’t Spam the Messenger

iChatI’ve had to remove my iChat/AOL Instant Messenger screen name from my already fairly outdated About page because in the past month or two, I’ve become the victim of some pretty frequent IM spamming. There’s nothing interesting or clever about this junk advertising, aside from the fact that it gets delivered over a previously spam-free communications channel; in fact, it’s probably among the more banal and least innovative ways of capitalizing on a new medium that I’ve seen.

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Lee vs. Lee

The HulkUnexpectedly, the battle that’s truly at the heart of “The Hulk” is not the one that the titular green antihero fights with society at large, the massive arsenal of the U.S. Army or even the tortured depths of his own soul. Rather, it’s the battle between the moviemaking prowess of Ang Lee, who has been responsible for some of the most intricate and touching personal epics committed to film, and the cantankerous spirit of Stan Lee, controversially-proclaimed father of the famed stable of Marvel Comics super-heroes. What results is a movie that pits a grotesquely literal interpretation of the graphical storyteling of comic books against a psychologically complex exploration of human horror. It’s not an altogether disastrous experiment in opposing sensibilities, but it is ultimately, hugely, disappointing.

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Like, an Awesome Factory

AwesomeFactoryThe spam filter in Microsoft Entourage is useful beyond words, but once in a while it disqualifies emails that shouldn’t be. Which is how I nearly never got to look at Awesome Factory, Aaron Bergeron’s hilarious collection ofcomics. Bergeron draws like a kid but has the sharp, dry, faux-naive wit of an, er,adult. It’s gut-busting stuff. His casting of Batman as a vice-principal is one of the funniest things I’ve ever seen onthe Internet.

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