Blockbuster Status Eludes Current Comic Book Fare

Box Office Mojo reports that, in the midst of what is probably the most crowded summer yet for movies inspired by comic books, the genre is failing to deliver out and out hits.

“While comic book movies continue to pack a potent punch for genre fare, it’s becoming more difficult to generate a transcendent hit like ‘Batman Begins’ or ‘Iron Man,’ much less a box office sensation like ‘The Dark Knight’ or ‘Spider-Man.’”

It’s no secret why: there are too many of them and, for the most part, they’re not very good. I count myself as a comic book partisan, and I’m almost always happy to see one of the characters from my childhood make it to the big screen, but for major studios to release four major adaptations — “Thor,” “X-Men: First Class,” “Green Lantern” and “Captain America” — within a single summer is just unrealistic.

Two years ago, in a post about “The Dark Knight,” I compared the contemporary super-hero actioner to the Hollywood western. Like that once-dominant genre, super-hero films get little respect today but, I argued, they’ll one day become a routine vehicle for serious artistic ambitions. I still think that’s true, but the western-ization of comic book movies is happening on another level: they’re becoming commoditized and stripped of any meaningful uniqueness.

Read the Box Office Mojo write-up here.

+

The Evolution of the Batmobile

A genuinely entertaining information graphic from, of all sources, CarInsurance.org: this exhaustive inventory of the many, many designs of the Batmobile over the years unearths a fun history most of us probably never suspected existed.

There are dozens of iterations here, and maybe what’s most interesting about the vast majority of them is not so much how each design reflects the ideas of its particular time (they do), but rather how little imagination is really at work throughout this long string of reinvention opportunities. The Batmobile is a blue-sky design brief if there ever was one, and yet time and again, these designs are little more than a mildly interesting variant on the notion of a hot rod or muscle car — basically the kind of ride a middle-aged guy buys when he gets divorced.

The exception, and the notable standout, is the “tumbler” design produced for Christopher Nolan’s “Batman Begins.” This Batmobile is not only a novel departure from what came before, but it was actually inventive enough to inspire a real world tank design from a military contractor. Honest.

See the full, very, very tall graphic over at my friend David’s Mlkshk page.

+

Funny Pages

Last gasps for a dying medium: as the printed newspaper’s future looks increasingly precarious, some noble — but not necessarily game-changing — attempts are being made to revisit its former glory. This summer two different projects have ambitions to resurrect the long suffering funny pages, i.e., newspaper comic strips printed in a broadsheet (or broadsheet-esque) format. Even as newspapers seem to be continually shrinking, whether in page count or in the actual dimension of their pages, these comics are making efforts to look big.

Continue Reading

+

Las Onomatopeyas

Bam! Clunk! Whap! A visual catalog of the interstitial fight-scene titles from the old “Batman” television series. Seen collected like this, they’re actually quite beautiful. According to this blog post, the most popular titles were “Kapow!” (used 50 times) and “Boff!” (used 43 times). Now you know.

+

The Award for Best Super-hero Movie Goes to…

In keeping with a personal tradition, I’ll once again be sparing myself hours of excruciating boredom by not watching tonight’s 81st Academy Awards on television. If you know me, then you know that I’m an unabashed enthusiast for the movies. But I do everything that I can to keep the Oscars at a distance. I don’t just avoid watching them, though. I also try to avoid paying attention to them as best I can.

Still, it’s been hard not to notice that Christopher Nolan’s epic popcorn blockbuster “The Dark Knight” was somewhat flagrantly stiff-armed in this year’s nominating process. True, the movie received eight nominations — including best art direction and cinematography, and an almost surefire nod to Heath Ledger for best supporting actor — but it was also snubbed for best picture and best director. Here’s a movie that not only broke box office records and earned plaudits from audiences all over the globe, but it was also praised by no shortage of serious critics as a significant elevation of the admittedly limited super-hero genre. In every way that matters for popular entertainment, it was one of the most important — and best — films of 2008. To fail to acknowledge “The Dark Knight” or its director accordingly is, to me, just more evidence that the Academy Awards is a credible measure of nothing other than timid fickleness.

Continue Reading

+

Scenes from a Franchise

BatmanWhether or not Christopher Nolan’s “The Dark Knight” turns out to be any good when it’s released later this month, I want to just enjoy for a little while longer the situation that we’re in right now. That is, we live in a world in which the most recent Batman movie, Nolan’s three-year old “Batman Begins,” was actually a very good film. For my money, it’s about as rich a super-hero movie as any Hollywood has produced, but I’ll even settle for just a pretty good movie based on what came before it.

Continue Reading

+