is a blog about design, technology and culture written by Khoi Vinh, and has been more or less continuously published since December 2000 in New York City. Khoi is currently Principal Designer at Adobe. Previously, Khoi was co-founder and CEO of Mixel (acquired in 2013), Design Director of The New York Times Online, and co-founder of the design studio Behavior, LLC. He is the author of “How They Got There: Interviews with Digital Designers About Their Careers”and “Ordering Disorder: Grid Principles for Web Design,” and was named one of Fast Company’s “fifty most influential designers in America.” Khoi lives in Crown Heights, Brooklyn with his wife and three children.
This guy one row behind me is on his mobile phone and he won’t shut up, but overall, I’m pretty happy to be traveling for my current business trip — this time very briefly to Washington, D.C. — by train. Amtrak, for all its faults, is a far, far better experience than hauling myself out to the airport and suffering through the perfunctory and arbitrary TSA screening processes before getting on an overcrowded airplane. Between New York and Washington, you just can’t beat the train for how easy and how pleasant it is.
Some people say that, whether it was truly a case of plagiarism or not, it would have been polite if the propietor of Lethean-Sound.com had emailed me in advance to say he was lifting somewhat heavily from my own Web site, as discussed earlier today. In fact, I did get an email in the middle of the day today (still after the fact, but better late than never) from Lethean-Sound.com that was very polite and apologetic, and afterwards, at my suggestion, a small credit appeared at the bottom of the site’s home page that read, “Some CSS and code courtesy of Khoi Vinh.”
As I said, I was not, in general, made particularly angry by the affair, though neither was I pleased. But the correspondence quickly mollified me and made me realize that, if it was not polite for the site’s proprietor to fail to contact me about the design in advance of launching it, neither was it particularly polite of me to fail to contact him without first posting about it here on my weblog.
An anonymous somebody or other posted this link to one of the comment threads here this weekend. I removed it immediately, partly because it didn’t have anything to do with the topic of the weblog post to which it was appended, and partly because I wasn’t sure how to react. If you click on the link, you’ll understand my situation: it’s a French-language weblog that looks very much like what a weblog would look like if its designer was trying to rip me off.
It’s going to take me a little while to really come to grips with the fact that DC Comics has changed its logo, obsolescing the long-standing, Milton Glaser-designed icon for something, well, different. The new mark includes forward-leaning “D.C.” initials against a swooshy, Saturn-like ring in a dimensional rendering, with a hint of Adobe Illustrator-style gradient along its edge. A curiously Captain America-like star, drawn in perspective, punctuates the whole thing.
Putting it bluntly, I don’t find it particularly attractive or probably as utilitarian as Glaser’s original triumph of compactness and visual exclamation. To the designers’ credit, it does attempt to rescue what’s good about its predecessor from the short-sighted imperatives of DC Comics’ current marketing strategy, but in doing so, it completely misinterprets the old mark’s substance for rather shallow style.
The classic, Milton Glaser-designed logo, at left, and the new form, at right.
Don’t Make ’Em Like They Used To
Maybe this is just nostalgia, because I was an avid reader of DC Comics when I was a kid, and I still feel invested in their canon of heroes and pop mythology. As a function of my childhood, the old logo really represents something constant and reliable, even when the tonality of the comic books changed drastically. Just to get pretentious for a bit: the nature of the art and writing and even the economic reach of comic books has metamorphosed in a kind of parallel to my advancement from kickball games on blacktops to PowerPoint presentations in front of corporate officers, but that logo has been always the same, at least until now. It’s my sense of vanity and obstinacy speaking when I say that the new logo just isn’t worthy of the old logo’s legacy, but I really do mean it.
Talk about a change of pace: this morning my girlfriend and I flew out to the quintessentially suburban and exceedingly pleasant town of Lafayette, California to help my mother watch my nephew for roughly four days (his mom is on a short holiday). On the slate for this weekend: a science fair, my nephew’s Little League game, a trip to San Francisco to see the Giants play the Washington Nationals, and lots of Nintendo GameCube. We stopped by Hollywood Video this afternoon to rent a DVD, and I was reminded how few movies are really appropriate for watching with a seven-year old and how just about any seven-year old in 2005 will have already seen every one of them. In spite of having my own child-at-heart preoccupations, it’s very different keeping an actual young kid entertained.