Archives

Design Couldn’t Save Yahoo

Microsoft wants to buy Yahoo, as you’ve no doubt heard by now. To my mind, it’s a terrible idea to combine two foundering behemoths in an attempt at besting an even bigger behemoth like Google (and moreover to do so with only enough ambition to shoot for being number two). But the point, I think, is that Yahoo has failed. The company flew high for much of its life, but it would surprise no one to say that it’s been in trouble for some time.

Why is Yahoo in this position? I won’t pretend to have all the answers to that question, but I can say one thing: design apparently had nothing to do with it.

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I Wants These Fonts

Yikes. Just now, I spent over US$600 on new typefaces. Well, not really. Mentally, I did, because I just quickly tallied up all of the typefaces I’ve seen recently and wished that I owned.

I’ll do that from time to time; window shopping, as it were, for new fonts to add to my repertoire, though I’ll rarely indulge myself by actually buying them. It’ll come as no surprise to most folks that, more often than not, I’ll fall back on Helvetica.

Still, I do have some desire to broaden my horizons. It’s just rare that I’ll find new typefaces that strike me as compelling enough to buy. The problem isn’t that I find recent typographic design lacking. Rather, it’s that I just don’t often find new typefaces that I feel are a good match for my particular ‘design voice’ (say what you will about the relative distinctiveness — or lack thereof — to be found in Helvetica, but it helps me say what I want). I draw a parallel between finding the right typefaces for my repertoire and putting together a wardrobe: there are plenty of clothes that I see worn by other people to smashing effect, but it’s not every style that I feel would look good on me.

That said, here are a few of the ones that I threw into my mental shopping cart.

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Revving Up ExpressionEngine

ExpressionEngineNot long after I moved from Manhattan to Brooklyn, I had that feeling familiar to most everyone who similarly relocates: “This is great. Why didn’t I do this sooner?” Once you’ve given up today’s Manhattan and its generally not-worth-it hassles, you understand how much more livable life is across the East River.

Well, I’ve got something like that feeling again right now, as I take the very first steps towards porting this site from Movable Type over to ExpressionEngine. (This is part of my recently stated desire to resolve the general slowness on this site.) It’s a daunting transition — especially for me, someone with more ambition than free time or technical facility.

To my surprise however, given a few short hours, I’ve gotten much further in getting ExpressionEngine to replicate my existing functionality than I thought I could. I literally started with zero knowledge of the software at the beginning of the week, and with less than six hours’ worth of labor, I’ve hobbled together a rough but serviceable, EE-powered re-creation of Subtraction.com.

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High-Fidelity Stereoscope

U2 3DYou could describe me as a somewhat reluctant fan of the Irish rock band U2. I was a big fan as a kid, but these days I only sporadically enjoy their music, and as they get older the band members’ penchant for dressing like dads just escaped from a Hot Topic store makes me cringe more and more. Still, I buy every new album they put out. I don’t really listen to them all that much, but I buy them. It’s something I do mostly out of habit and some vague idea that I may as well own all of their albums; I bought my first U2 record (cassette tape, actually) when I was fifteen or sixteen, I think. Oof. That’s twenty years of forking money over to these clowns.

Last night I threw another sixteen dollars on that pile when I went to see “U2 3D” at the IMAX theater at Lincoln Plaza. As an entertainment product, this movie is exactly as advertised: the Irish rockers filmed in concert, projected in three dimensions hugely against IMAX’s signature concave screen.

It’s not an unentertaining film, I’ll admit, though there was certainly more than enough of Bono’s hammy gestural histrionics to make me glad it only ran about ninety minutes long. I guess it helped that I knew all of the songs, too, but the real attraction — the only reason I was tempted enough to travel all the way uptown on a Monday for it — was the buzz I’d heard about this movie being a visual breakthrough.

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Not by Southwest

Unfortunately, I have bad news for the many friends I was hoping to see at this year’s South by Southwest Interactive Festival in Austin: I won’t be attending this year. Not that my three-year attendance streak was much to brag about, but I was really looking forward to showing up there for a fourth year. In spite of my criticisms about last year’s show, I still had a great time, learned a lot and left Austin wanting to come back.

However, I have pretty good reasons for why I had to cancel. First, I’m heading to San Francisco in mid-March for a business trip. At the end of my trip, I’m going to take my eleven year old nephew with me for a trip to Paris to see my dad. It’ll be his first trip abroad, which is exciting for him and exciting for me, too. We’ll be there for a week at the end of March, so if you have any recommendations on how to entertain a pre-teen in the City of Lights (or its environs), please let me know.

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The Host with the Most

Among the problems in my life that I’d like to do something about sooner or later is server performance for Subtraction.com and the various domains that I host along with it, including A Brief Message. These are all hosted over at DreamHost which, as I and many people have mentioned before, is less than ideal; it’s slow, slow and slow.

I’m told, though, that the performance I get from DreamHost is unfortunately about the level of performance I should realistically expect from any shared hosting plan. It’s consumer hosting, after all, and even if I move up-market a bit and pony up more money, consumer-grade hosting is never going to be as responsive as my fondest daydreams hope it can be.

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Bought and Paid For

Um, did no one notice that, in my post about Adobe Creative Suite 3 that I mentioned that I had purchased that software package? Like, I bought it for myself, with my own hard-earned money. I didn’t “borrow” the installation discs from a friend or a business, which I’ve done in the past, ahem. (Not that using installation discs owned by some other party is particularly easy these days given Adobe’s anti-piracy measures.) But neither did I go looking for so-called cracked copies of the software on the Web, though they’re readily available, I’m sure.

It’s no doubt a function of the respectable, grown-up’s salary that I’m now lucky enough to bring home, but looking over the software on my hard drive, fully ninety-eight percent of it is legitimately mine (there are a couple of unpaid-for shareware utilities in there — I may be on the straight and narrow, but I’m a procrastinator, too). Meaning, I paid for it, and if you launch the software and invoke its registration screen, it will say “Registered to Khoi Vinh,” or something to that effect.

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Hot off the Silkscreen Presses

The Shirt ProjectA plug for a nice project from some friends: The Shirt Project is a collaboration between Louise Ma (who works in the design group at NYTimes.com) and Rich Watts. It’s a not-for-profit experiment funded by a fellowship that the two recent graduates received from the Cooper Union School of Art.

The idea is to design, print and sell a series of tee-shirts featuring topical, news-driven graphics. Though customers can buy the garments on à la carte, The Shirt Project is most interesting as a subscription. For US$75, customers get five shirts, sent one at a time, every four weeks — or roughly on that schedule. There will be ten in total.

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