Archives

iPad Magazines Go to ’11

It’s still too early for me to say “I told you so” about iPad magazines, but nevertheless I think it’s worth pointing out that the current evidence shows that this format is not doing well. The Audit Bureau of Circulations, which is sort of like the Nielsen of the print magazine industry, reported that sales of magazine apps across the board, from Wired, GQ, Vanity Fair and others, slumped precipitously towards the end of last year. More on the specifics in this article from paidContent. The bloom is off the rose, I think, and the reality that people just don’t like to consume magazine content in the monolithic, issue-centric form that these apps take has caught up with the irrational enthusiasm that we saw in 2010.

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Blu-Ray Blues

It’s been about a decade now since DVDs first became the default delivery medium for movies and I’ve been trying to remember exactly how buggy or inconsistent the earliest DVD players were. I remember vaguely that some discs wouldn’t work with some players (especially DVD-ROM drives built into computers), but as best as I can recollect, I never had a problem playing a single disc. Or if I did, it was just one out of countless discs I’ve owned, rented or borrowed. For me, DVDs have always just worked.

Not so with Blu-Ray, the would-be successor to the DVD format. I was lucky enough to get a Blu-Ray player for Christmas a year ago and when it works, it works great. I can pop in a Blu-Ray disc and watch a movie in beautiful, luxurious high-definition, revealing all sorts of details in my favorite movies that I’d never been able to see before. But it has not been a painless experience. The player has been frustratingly, consistently buggy, making the act of watching a disc needlessly difficult.

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Thoughts on Performance Reviews for Designers

As last year came to a close and I was taking stock of the many things for which I’m grateful, the fact that I did not have to write year-end performance reviews for staff members was near the top of the list. Managers know what I’m talking about: that annual (or even semi-annual) ritual of summing up months and months of of an employee’s performance nuances in a single document. In many organizations, they a standard part of the manager’s job, a tool intended to engender productive teams, keep people motivated, and check against lackluster performances. In theory.

When I was at The New York Times, writing reviews for my staff was among the most painful parts of my job and a nontrivial downside of the holiday season. As much as I enjoy all the excitement and cheer and vacation time of December, I always knew that reviews would be due in January. In order to get a jump on them I’d need to start them in earnest in the midst of all that holiday excitement.

For each review, I’d have to solicit feedback from at least a handful of the staff member’s peers. With that input, I’d then look back on a year’s worth of work deliverables and, if I had been particularly conscientious, any notes that I might have made about how that staffer had done during the course of the year. At The Times, there was also an understandable if burdensome emphasis on distilling all this feedback into eloquently worded narratives, not just simple lists of bullet points. It was all very time consuming and very, very, laborious.

Which isn’t to say that I saw no value in the process. On the contrary, the reviews I received from my own superiors were by and large thoughtful, constructive and (usually) timely. They offered me insight into my own performance that I don’t think I would have had otherwise, and they gave me an opportunity to course correct in areas where I’d been neglectful. I was very grateful for those reviews, for how respectful they were of my own efforts, and I did my best to pass on similarly constructive criticism to the people who worked under me. It was hard work, and I’m sure I didn’t always succeed, but I tried.

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Basic Maths Post-Xmas Sale Starts Today

Last year my friend Allan Cole and I decided to put Basic Maths, our Subtraction.com-based theme for WordPress, on sale for the week right after Christmas. We figured it would be a nice opportunity for people who might have had the week off of work and were thinking about overhauling their blogs to get their hands on our theme for a third-off the normal pricing. The response was unexpectedly strong — who knew so many folks would have blogging on their minds during the quietest week of the year — and so this holiday season, with a new update recently released, we’ve decided to do it again: Basic Maths is on sale through the last day of the year for 33% off the regular price, bringing it down to just US$30. If you haven’t already got your copy — and remember, the new version includes a terrific mobile-friendly version of the blog theme — here’s your chance to get a great deal. But hurry, it only runs for a few days and we won’t put it on sale again for at least another year. Click here to read more or buy a copy.

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A Sketchbook Book

If you’re still looking for a great holiday present, It’s not too late to run down to your local bookseller or order overnight delivery for this terrific book I just got my hands on: it’s called “Graphic: Inside the Sketchbook of the World’s Great Graphic Designers,” and it’s another production from the prolific Steven Heller, who co-edited the book with Lita Talarico.

Full disclosure: I was lucky enough to be included within the 352 pages of drawings, doodles, paintings, collage and random visual goodness from over one hundred prominent graphic designers. On page 340 (the book is organized alphabetically by last name) you’ll find about a dozen sample pages taken from the many sketchbooks that I’ve kept over the years. In addition to my own work, there are samples from a ton of amazing luminaries including Gary Baseman, Michael Bierut, Henrik Drescher, Seymour Chwast, Milton Glaser, Bruce Mau, Christoph Niemann, Art Spiegelman and many others.

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What’s Old Is New Again on iPad

There’s a brief article over at The Atlantic about “Fresh Flowers,” a current show of David Hockney’s recent iPad and iPhone paintings. Using the popular painting app Brushes, Hockney is creating a new painting every few days, then electronically transmitting them to the exhibition space in Paris where they’re displayed on screens. I find the paintings themselves very unremarkable (some are quite bad, even) but I do think they’re interesting for a few reasons.

First, they imply an endorsement of the touch devices like the iPad as a tool for making art by a big (huge) name artist whose fame was forged in the pre-digital world. That credential matters to some people, because it demonstrates, however weakly, that this new and unfamiliar device is not just a passing fad. Hockney’s motivation for creating these paintings was presumably that he found the iPad interesting and worthwhile; he certainly doesn’t need it as a gimmick to burnish his already sterling reputation. When a leading light of the art world shows interest in a medium so young, it speaks volumes. To some people.

More telling I think is the kind of work that the artist decided to create. You can argue over their artistic merits all you want, but what strikes me about Hockney’s iPad paintings is that they’re surprisingly unimaginative emulations of another medium. The iPad is a full-fledged computing device capable of doing many, many different things. But reproducing the quality, texture and aesthetics of analog paper, canvas and paint seems to be one of the least interesting of them all, at least to me. Someone like David Hockney, you’d expect, would be able to show us entirely new worlds through drawing on a device like the iPad. Instead the works in “Fresh Flowers” are faint echoes of a world we already know very well. They’re pretty, but they’re boring.

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Moving to a New Mac

The 24-in. iMac that I’ve owned for four years is now retired. In its place, I’ve got a brand new, 27-in. iMac with a speedy i5 processor and a capacious hard drive. I’ve actually had this new machine since just after Thanksgiving. I didn’t set it up until this past weekend, partly due to my hectic work and family schedules and partly due to the fact that I was dreading the setup process.

In the past, it’s been my habit to take the route of many conscientious geeks, opting to build each new system from scratch. That’s always meant manually installing every application and every utility, re-creating every preference or setting from scratch. Very time consuming, yes, but it always gave me peace of mind that my new system was truly a fresh start, free of the cruft that had accreted in my previous system.

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What Open Can Look Like

For the record, I really do think that open systems are better than closed ones. But not always. Sometimes, open systems turn into a complete mess.

I was thinking about this as we get into the holiday season, a time when lots of new consumer audio-visual electronics are purchased and make their ways into our homes. Last year I purchased what was recommended to me as a very good “home theater in a box,” i.e., a single-unit, multi-speaker system that serves as a central hub for audio from my cable box, Mac mini, Apple TV, Blu-Ray player, Wii console etc. Along with our television, it’s the principal interface for basically everything my family does in the living room.

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Basic Maths Updated

Over a year ago my friend Allan Cole and I released Basic Maths, our theme for WordPress, which was an instant hit. This week we’re releasing a new update — Basic Maths 1.1.

This new version includes a slew of significant enhancements, including: full compatibility with WordPress 3.0, easier logo customization, improved CSS support for embedded video, smarter conditional logic for widgets and article-to-article navigation and more. Read more about it or buy your copy at the official site.

Maybe the coolest part of Basic Maths 1.1 is the brand new, iPhone-friendly view. Any user viewing a site running this newest version of our theme will see a mobile-optimized presentation of the exact same content. As a blog publisher, the only configuration you have to do is — nothing. It all happens automatically.

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Students, Don’t Do As I Have Done

The Canadian graphic design organization RGD Ontario was kind enough to invite me to speak at their annual Design Thinkers conference in Toronto last week. It was a quick trip for me — I flew in and out of the city on the same day — but they made it really fun. In addition to a lecture I gave about the difficulties that the practice of art direction has in finding a place in digital media (I’ll post some notes from that talk in a few days), I also appeared on a question-and-answer panel for design students, the theme of which was providing advice on ‘making it’ in the design world.

In that session, I heard from another of the panelists that, due to inexperience, newly minted designers should understand that their productivity will barely cover the cost of employing them. It was his belief that businesses who hire fresh graduates essentially sign up to provide a kind of on-the-job training — at a loss to the business. He didn’t put it in so many words, but the inference I made was that employment is a kind of favor bestowed by the company on new entrants to the job market.

What’s more, this person insisted that these freshly graduated professionals should be prepared to work for very little and for very long hours, that they should dedicate themselves to their work in tireless fashion, potentially at the expense of many other priorities in their lives.

I have a hard time with this advice, but for complicated reasons. It’s not that I think that the advice is not valid. On the contrary, I think this is an accurate reflection of the way the design industry ingests new talent. Rather, my quarrel is that I think this advice makes some unfortunate assumptions about what the quality of life within a design organization should be.

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