is a blog about design, technology and culture written by Khoi Vinh, and has been more or less continuously published since December 2000 in New York City. Khoi is currently Principal Designer at Adobe. Previously, Khoi was co-founder and CEO of Mixel (acquired in 2013), Design Director of The New York Times Online, and co-founder of the design studio Behavior, LLC. He is the author of “How They Got There: Interviews with Digital Designers About Their Careers”and “Ordering Disorder: Grid Principles for Web Design,” and was named one of Fast Company’s “fifty most influential designers in America.” Khoi lives in Crown Heights, Brooklyn with his wife and three children.
It’s been surprising — very surprising — the number of people that I know who have made the switch to the Macintosh in the past year or so. It’s as if Apple’s “Switch” campaign, which stopped airing two years ago, is only now having a delayed effect. But really, what it’s about is that the smartest and most creative people are doing the smartest and most creative projects on the Mac. And yet there’s still a big hole in the platform’s offerings when it comes to pulling off great projects: project planning software.
The 800 pound gorilla in this niche, Microsoft Project, has its faults, to be sure. But really, that program is sufficiently fluid and pliable for serious work, and it has the added cachet of serving as a de facto standard for project plans nearly everywhere. At Behavior we use it extensively, and not just our project managers — I spend time in it frequently myself, and I reluctantly depend on it as a fine-grained, flexible tool for estimation, planning and tracking of fairly complex jobs.
My first thought when I heard this morning that Adobe has agreed to buy Macromedia was: poor Freehand, always the bridesmaid, never the bride. Though I long ago stopped using that drawing program in favor of Illustrator, it was nice to know that it was still kicking around. Freehand was my first introduction to the Macintosh, and so I carry a quiet little torch for it. For me, anyway, if Adobe decides to finally kill it, it will be like the end of an era. Of course, there’s the possibility that the program’s owners — who licensed Freehand first to Aldus and, when that company was bought by Adobe many years ago (notice a pattern here?), then to Macromedia — will valiantly try to find yet another new publisher. I’ll keep my fingers crossed.