Bollywood or Bust

The Art of Bollywood BlockbustersThe design industry could stand to appreciate more than just its American, Western European and Japanese roots. John Manschot brings us a little closer to the Indian sub-continent in his book, “The Art of Bollywood Blockbusters.” The Web site includes some so-so scans that barely do justice to the plethora of exquisitely illustrated posters and videocovers from the world’s largest film industry. Last year I got my hands on a copy of “Thai Graphic Design” by Anake Nawigamune, which is also big, bold and beautiful — impossible to find domestically, but now you have an excuse to visit Thailand.

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Family Valueless

Sesame Street intends to add an HIV-positive puppet character to its South African broadcast, in an attempt to help spread understanding in this AIDS-ravaged country. Like a pack of ignorant, reactionary panderers, five Republicans from the House Commerce Committee have threatened to cut funding for the Corporation for Public Broadcasting in the face of this small-scale humanitarian gesture — I guess because it offends their narrow-minded and stereotypical view of AIDS relief of any kind as an endorsement of homosexuality. These people are fanatical right-wingers and are effectively working to undermine basic human compassion. Though the Republicans have apparently been placated, it’s discouraging the way that their brand of reckless idiocy can gain attention — and that the world doesn’t bristle with disgust at it. Those who are offended should write polite but strongly-worded letters of protest to your Congressperson or directly to Committe Chairman Rep. W.J. Tauzin (R-LA).

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King Kirby

Jack KirbyLately I’ve been thinking a lot about comic books, in a way that I haven’t since I was fifteen. This kind of started when I bought “The Comics Journal Library: Jack Kirby,” a compendium of interviews with and essays about the legendary Jack Kirby, who is often referred to as the most influential artist to ever work in comic books. The book is LP-sized and loaded with terrific samples of Kirby’s singular, hyper-dynamic brand of art, but it’s also wonderfully rich in its essays and musings on Kirby’s place in history. You would expect no less from the laudably literary minds at The Comics Journal.

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No-No-Notorious

Notorious C.H.O.On a whim, I went to see Margaret Cho’s new concert film, “Notorious C.H.O.” on Wednesday evening. It’s frequently hilarious and I admire the nose-to-the-grindstone way she has rebuilt her post-“All-American Girl” career. I didn’t realize until arriving at the theater that it was opening night, or that Cho would be there in person, or that she was going to be actually standing at the theater door, greeting moviegoers and taking each person’s ticket. It was a cute gesture.

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Fight for Yer Right to Time-Shift

Replay TVThis is encouraging: “ReplayTV customers represented by the [Electronic Frontier Foundation] have filed a lawsuit against the entertainment industry to protect their rights to skip over commercials and record television programs for later viewing using digital video recorders.” I’d like to see a series of publicity-damaging consumer lawsuits against the entertainment industry on all manner of digital fair use issues.

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Great Responsibility

John Romita, Jr.I’m not mentioning Spider-Man here because of the movie’s killer box office returns or its disappointingly heavy-handed second half. Rather, I thought I should note that long-time “Spider-Man” comic book artist John Romita, Jr. is continuously sketching Spider-Man right now in Times Square for fans, going for a record of 48 straight hours. That may sound kind of stupid, but he’s selling each sketch for US$25, with the goal of raising money for his niece’s chemotherapy treatment. Pretty remarkable.

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