Couch Report

Having recently gotten through a huge project at Behavior, I’m finally getting some evenings and weekends back. Some of that time is spent hanging out and some of it watching movies; I’ve definitely missed being able to watch movies with frequency, and in the past two weeks I’ve finally been able to squeeze in a good number of them. Here are some quick thoughts on some of them.

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Hell on Reels

HellboyMost of the people with whom I’ve casually discussed “Eternal Sunshine of the Spotless Mind” have insisted that I should put aside my prejudices — specifically my unwillingness to get suckered into another attempt at reinventing Jim Carrey’s heretofore painfully unwatchable career, first, and my aversion to watching yet another ridiculously hip music video director’s transition to the silver screen, second — so as not to miss one of the brighter offerings in this year’s crop of movies. “I was skeptical too, believe me, but it was really good,” said one of my friends last week. I just can’t do it, or at least I haven’t been able to yet, and if I do, I’m pretty sure I won’t be writing about it here unless I find it sufficiently unworthy of all the praise it’s got. Something stubborn in me finds the whole enterprise just too plainly offensive.

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The Sum of Its Parts

SpartanIf you have a penchant for stilted, muscular dialogue illustrating the passionless relationships between men steeped in their work, then you’ll probably get a big kick out of David Mamet’s latest exercise in elaborate, procedural sleight of hand. It’s called “Spartan,” and what it boils down to is basically a Tom Clancy plot adapted with Mamet’s signature dialogue style and his almost goofy obsession with charade.

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News Flashes

These Just InThe most consistently funny program on television is “The Daily Show with John Stewart.” For some proof, have a look at “Hail the Armies of Rove” on this page. It’s a gut-busting bit of reportage from Stephen Colbert and serves as just one example of this cast member’s remarkable comedic genius. So I was eagerly anticipating tonight’s showing of “These Just In,” which features a series of four short films from a few of the show’s staff writers. To be honest, I was mildly disappointed, as their overall hilarity was noticeably milder than just about any episode of the show they produce at their day jobs.

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A Very Long Fairy Tale

Once Upon a Time in the WestIf it weren’t the beginning of another crazy week at Behavior (where we’re looking to hire freelance designers, by the way), I’d spend some time writing extensive praise for Sergio Leone’s “Once Upon a Time in the West.” I watched it for the first time this past weekend on a newly minted DVD version, and it was magnificent. Perhaps a very brief outlining of my thoughts are in order anyway because, at heart, this is a ninety minute film stretched out to a very long two hours and forty-odd minutes.

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House of Acting

House of Sand and FogVadim Perelman’s “House of Sand and Fog” begins with the very end of its story, a narrative device that has become so popular in recent cinema that it provoked in me a feeling of dread. The idea of enduring yet another movie that spends the bulk of its time in flashback has by now a tired, depleted promise to it, and I was seized, in the opening sixty seconds, with a sense that I was embarking on 126 minutes of bad cinema. And in fact, there is a good deal of this movie adaptation of Andrew Dubus III’s novel that is perfunctory and predicated on only unambitious attempts at storytelling, from its cast of not quite fleshed out supporting characters to its sometimes implausible leaps in narrative logic.

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A Night on the Tiles

ScrabbleLots of people I know decided against joining any kind of large-scale New Year’s Eve celebrations in public places this year. For me, at least, a quiet evening spent at home after a hectic December sounded more enticing than any drunken bash. So right up until about 10:00p, my girlfriend and I were still on the fence about attending a few parties to which we’d been invited. But ultimately, we couldn᾿t resist the coziness of our apartment, so we stayed in and watched Hal Ashby and Warren Beatty’s truly excellent “Shampoo” and played two rounds of Scrabble.

I used to be really good at that game about ten years ago, but something happened to me in the intervening years — I might be tempted to blame the Internet — and my girlfriend handily beat me two times in a row. All the same, I really enjoy Scrabble, and it seems odd to me that it hasn’t been properly translated into an online version. Its simplicity makes it seem pretty well-suited for net play, but after some cursory searching, I could only find a fairly kludgy Java-based approximation called “Word Biz” (Windows only) and a knock-off at Yahoo! Games called Literati.

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Burn Baby Burn

DVD BurningThe so-called “SuperDrive” in my new 12″ PowerBook G4, while not the first DVD-RW I’ve ever had access to, is the first one I’ve personally owned. So, with a little bit of free time this past weekend, I decided to sit down and see if it was possible to burn myself a copy of one of the movies that I own in DVD format — for fair use, back-up purposes only, of course.

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Long Haul in Middle Earth

Return of the KingFor fans who don’t want the J.R.R. Tolkien “Lord of the Rings” trilogy to ever come to an end, director Peter Jackson has apparently done his very best to fulfill that wish with his interminable, ass-numbing, bladder-busting “Return of the King.” It clocks in somewhere in the neighborhood of a hundred hours and goes to great pains to bring satisfying resolutions to nearly every one of the bakers’s dozen of protagonists and almost all eight billion of the supporting characters in this epic tale of short people and cloak-lovers.

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Devolution Number Three

The Matrix RevolutionsWhat I was thinking last night while watching “The Matrix Revolutions” at the local megaplex was, “What the fuck is this movie?!” At times I was sure it was a version of “Battlefield Earth” made for people who refused to watch “Battlefield Earth;”a bloated, brutal mess of a film obsessed only with shallow spectacle. This movie sucks. It’s fraught with the kind of decadent, rampant tedium that only multimillion dollar Hollywood budgets can buy — the kind that the original “Matrix” put to shame — and weighed down even further by miserable dialogue delivered by miserably directed actors.

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