Sith Time’s the Charm

Episode IIIIn the run-up to the final installment in the Star Wars canon, the franchise characters have recently been seen hocking everything from breakfast cereal to cell phones. It’s the customary level of endorsement pervasiveness that makes it hard to ignore this long-awaited but not necessarily highly anticipated final chapter. All of which conspired to convince me to set aside my surprising indifference and sit down to watch the two trailers available over at StarWars.com this afternoon. While I’m enthusiastic about seeing Wookies and the return of Darth Vader proper, overall it’s fair to say that I’m not particularly optimistic about “Episode III” at all.

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Sith Time’s the Charm

Episode IIIIn the run-up to the final installment in the Star Wars canon, the franchise characters have recently been seen hocking everything from breakfast cereal to cell phones. It’s the customary level of endorsement pervasiveness that makes it hard to ignore this long-awaited but not necessarily highly anticipated final chapter. All of which conspired to convince me to set aside my surprising indifference and sit down to watch the two trailers available over at StarWars.com this afternoon. While I’m enthusiastic about seeing Wookies and the return of Darth Vader proper, overall it’s fair to say that I’m not particularly optimistic about “Episode III” at all.

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How Many Blogs Does One Man Need?

Create a New WeblogIn the grand scheme of things, relatively few people have weblogs, but among them, there is a minority for whom it’s not uncommon to have even more than one: web designers. If freedom of the press is most free to those who own presses, it’s not unreasonable to think of web designers as those kinds of owners. For us, it’s possible to dream up and professionally construct a weblog (or most any kind of site, but especially weblogs) over a fast food-fueled weekend. I know at least one or two who each seem to be operating a Hearst-style empire of regularly updated sites.

I’ve always resisted the urge to create more than one weblog for myself because I know that, given my very small amount of free time, there’s enough labor involved in the upkeep of just this one without compounding the labor with another. Moreover, I’ve been nursing an idea for many years (to which I’ve hinted here a few times) that this weblog is just one early form of what will eventually be a massive database that contains most everything about my life. If it happens between the day I was born and the day that I die, the idea is that it would be recorded here.

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Tape Worm

There’s not enough time in a month for me to watch twenty dollars’ worth of Netflix movies, so I can’t bring myself to subscribe to that service. Economically speaking, I still prefer the old school method of putting on my shoes and heading down to the local video shop when I happen to have a free evening that might be nicely consumed watching a movie. Two Boots Video is only about four blocks away, so I haven’t got much to complain about… except when there’s no DVD copies of the movies I want.

The past few times we’ve gone, my girlfriend and I have resigned ourselves to choices in — hold yourself — videotape format. These are older movies that the store clearly has little immediate intention of upgrading to DVD format. In some cases, like Eric Rohmer’s perversely mannered “Marquise of O,” I’m even a little surprised that someone bought them in VHS format to begin with. But in other cases, it’s a disappointment to me that the store is still resigned to providing them only on crappy videotape. I’m about three episodes into Ken Burns’ beautiful, nine-part “Baseball” documentary, and it’s a shame to watch it on such an inferior medium.

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That’s “Incredibles!”

The IncrediblesThere’s a lot to like in “The Incredibles,” which I just got around to seeing last Thursday night, and there are a lot more people than me who have the time on their hands to cogently explain what’s so good about this latest movie from the egghead animators’ trust at Pixar. So, rather than try and hobble together a half-baked review that’s little more than the sum of a series of random comments, I’ll offer up just the random comments here.

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Afterwards

I’m back from Sicily as of yesterday afternoon. I didn’t have internet access while I was away, or I would have written several posts about how amazing Italy is; I’m going to try and round up whatever thoughts I can recoup after ten days of sleeping in late, eating decadently tasty food and drinking lots of red wine, and write something here soon.

In the meantime, I’m feeling a little fuzzy-brained and jetlagged and a little deflated after returning to the reality of a non-vacation life. Mostly though, I’m feeling incredibly sad about Christopher Reeve’s death yesterday. There’s not an actor’s performance in any film that means more to me than Reeve’s in “Superman: The Movie.” It had a profound impact on the way I saw the world as a child, and it still chokes me up to watch it as an adult. It was acutely painful to see Reeve suffer that horrible accident in 1995, and now to see him go at the relatively young age of 52… I can’t possibly articulate the meaning of this loss in a way that would do it any kind of justice.

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Elephant in the Room

ElephantI’ve been an erratic fan of Gus Van Sant’s work for years, mostly because the work itself has been somewhat erratic — witness “Psycho” and “Good Will Hunting,” two movies I’d just as soon never watch again. But I was really, really floored by “Elephant,” which I skipped in theaters due to the somewhat uneven critical response it garnered. After two jaw-dropping hours, it baffles me that this film, which is meticulously directed and gorgeously shot, failed to become a sensation in its original run. Then again I think of the deliberate, almost Kubrick-like coldness with which it forgoes any kind of judgment over the characters caught in its Columbine High School-like construction, and it makes a certain kind of sense to me that the public would shun it. We like tragedies written bold in history and reductively in drama, and this movie fits neither of those criteria. It’s subtle and familiar and also deeply frightening.

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Hollywood Killer

CollateralUnfortunately, I don’t make it out to the movies on opening night as much as I used to, so by the time I get around to seeing a new movie — in the theaters or, if I’m really behind the times, on DVD — and then actually to writing about it here, the point seems lost. My movie reviews have never been the most popular posts anyway, but I do get a kick out of writing them because I still get a kick out of cinema. Anyway, all of this is by way of excusing this glaringly untimely review of “Collateral,” which I just saw last week.

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Late to School

School of RockIt always makes me feel a little silly to be writing here about movies that I’ve just seen on video or DVD, well after they’ve left the theaters and long after any initial excitement they may have stirred up has been dissipated. Unfortunately, with the way my life has worked over the past two years, I see far more films on my DVD player than at the cineplex. So more often than not, I’ll just choose not to write about them at all, but in the case of “School or Rock,” how can I resist?

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My Review of “Kill Bill Vol. 2”

Kill Bill Vol. 2Kill Bill Vol. 2” is a really good movie. I liked it a lot. I liked when Uma Thurman’s character actually killed Bill. That was good because it made the title make a lot of sense. If she had killed all those people but never killed Bill, then the title would have been wrong. They might have had to name the movie something like “Kill a Lot of People.” But they didn’t have to, because Uma kills Bill at the end. It was actually kind of sad when she killed him, but he deserved it because he tried to kill her first. Whoever tries to kill someone first, the other person has a right kill them back. That’s the law. That’s why George W. Bush wanted to kill Saddam so bad, because Saddam tried to kill him first. Well, Saddam tried to kill his dad first but his dad has the same name as him, so it counts.

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