is a blog about design, technology and culture written by Khoi Vinh, and has been more or less continuously published since December 2000 in New York City. Khoi is currently Principal Designer at Adobe. Previously, Khoi was co-founder and CEO of Mixel (acquired in 2013), Design Director of The New York Times Online, and co-founder of the design studio Behavior, LLC. He is the author of “How They Got There: Interviews with Digital Designers About Their Careers”and “Ordering Disorder: Grid Principles for Web Design,” and was named one of Fast Company’s “fifty most influential designers in America.” Khoi lives in Crown Heights, Brooklyn with his wife and three children.
So many great movies come out in December, so I went to the theaters five times—that’s easily my record for any month last year. The best of the films I saw was Yorgos Lanthimos’s “The Favourite,” which is set in the court of Queen Anne in 18th Century England. It’s a sumptuous feast of palace intrigue, baroque art direction and surprisingly apt off-kilter camerawork. This is Lanthimos’s first period film, but its vision of a bizarre, distorted reality that’s blithely accepted by its inhabitants will feel familiar to those who have seen his previous films. Like those, “The Favourite” features vaguely dystopian, science fiction-like qualities. And like all good sci-fi films, this movie is as much about the year it was made as it is about the year the events it depicts ostensibly took place. If there was a time for a movie about the tragicomic art of manipulating a feckless head of state, it’s right now.
Not quite as richly auteuristic but nevertheless terrific in its own right: “Spider-Man: Into the Spider-Verse.” Super-hero movies are in a major glut right now (I couldn’t drum up much enthusiasm for any of Marvel’s own “cinematic universe” movies in 2018) but this one is a breath of fresh air. It’s the best Spider-Man movie by far, one of the best super-hero movies ever made, and probably one of the best computer-animated movies of all time. Kudos to the team who made it, and, credit where credit is due: kudos to the studio that somehow also made “Venom.”
Here are all eighteen movies I watched last month.