What Rembrandt van Rijn’s “Portrait of a Man Holding Gloves” sees:
What Harriet Whitney Frishmuth’s “The Vine” sees:
What Amedeo Modigliani’s “Reclining Nude” sees:
Just brilliant. More at whattheysee.tumblr.com.
+What Rembrandt van Rijn’s “Portrait of a Man Holding Gloves” sees:
What Harriet Whitney Frishmuth’s “The Vine” sees:
What Amedeo Modigliani’s “Reclining Nude” sees:
Just brilliant. More at whattheysee.tumblr.com.
+