is a blog about design, technology and culture written by Khoi Vinh, and has been more or less continuously published since December 2000 in New York City. Khoi is currently Principal Designer at Adobe. Previously, Khoi was co-founder and CEO of Mixel (acquired in 2013), Design Director of The New York Times Online, and co-founder of the design studio Behavior, LLC. He is the author of “How They Got There: Interviews with Digital Designers About Their Careers”and “Ordering Disorder: Grid Principles for Web Design,” and was named one of Fast Company’s “fifty most influential designers in America.” Khoi lives in Crown Heights, Brooklyn with his wife and three children.
Please refer to the advertising and sponsorship page for inquiries.
+
Haven’t read the book, but from what’s available online, calling this “Modernism” doesn’t seem accurate.
From OSX’s New Oxford American dictionary:
“a style or movement in the arts that aims to break with classical and traditional forms.”
The book looks to be loaded with lots of traditional approaches to design. Maybe there are no “Classical” forms but definitely a lot of work reminiscent of what today’s designers would consider “classic” mid-century design.
This might be a great example of contemporary design practices but it sounds like yet another form of post-modernism and nostalgia. Maybe they should have titled it “The New Modernist” or “The New Post-Modernist”.
The real Modernists weren’t mimicking what came before them.
Jason: I agree, the name seems inaccurate. I’m not sure ‘post-modernist’ would be a good fit, either. Maybe “The Past-Modernist.” You heard it punned here first.
Ordered this book immediately after seeing this post.
Modernism as an art movement in the 20th century might have been defined as a break from the classical, but as time as gone on, I think Modernism has embodied a whole lot more than that.
It’s a (possibly unprecedented) strange situation graphic design and modernism sit in. It could really be argued that graphic design grew out of modernism, and because of that, going back to the roots of design really is a return to modernism.
To be sure, going back to the roots of design after a post-modernism era would have to be classified as its own movement, though. Post-Post-Modernism? I’m sure a more elegant name will emerge eventually.