is a blog about design, technology and culture written by Khoi Vinh, and has been more or less continuously published since December 2000 in New York City. Khoi is currently Principal Designer at Adobe. Previously, Khoi was co-founder and CEO of Mixel (acquired in 2013), Design Director of The New York Times Online, and co-founder of the design studio Behavior, LLC. He is the author of “How They Got There: Interviews with Digital Designers About Their Careers”and “Ordering Disorder: Grid Principles for Web Design,” and was named one of Fast Company’s “fifty most influential designers in America.” Khoi lives in Crown Heights, Brooklyn with his wife and three children.
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Odd you mention VoIP. While some VoIP is crummy, when I get a good Skype-to-Skype call, it’s like talking to someone in a radio studio.
I’ve long been annoyed that they don’t grade 3D films brighter too (meaning the final polish of light and color). Between the tint of the lenses and the glasses, you lose at least a full f stop of brightness. Seemingly more.
For all the attention paid to the execution of effects and visual aesthetics, how do they overlook this simple, last intervention with the audience?
I also think the issue with theaters, poorly run, expensive, etc., is much like that with chain restaurants: the priority is on the margin for the holding companies at the expense of the operations and audience. Good food should be a little more expensive because it was make with great ingredients, care and precision, not because the supplier extorted more money out of the owner or saw a sucker in the customer. The same is true for theaters.
I’ve always wondered why in sci-fi films they have developed so much technology yet haven’t found a way cut out the crackle over the phone.
I just love the theater a usually go to. They always swap lenses right when it is necesarry: after the 2D ads, when the 3d commercials begin. To shorten the time they sell icecream. Yumm!