is a blog about design, technology and culture written by Khoi Vinh, and has been more or less continuously published since December 2000 in New York City. Khoi is currently Principal Designer at Adobe. Previously, Khoi was co-founder and CEO of Mixel (acquired in 2013), Design Director of The New York Times Online, and co-founder of the design studio Behavior, LLC. He is the author of “How They Got There: Interviews with Digital Designers About Their Careers”and “Ordering Disorder: Grid Principles for Web Design,” and was named one of Fast Company’s “fifty most influential designers in America.” Khoi lives in Crown Heights, Brooklyn with his wife and three children.
Remarkably, the book is as nearly as funny as its televised parent, but I do have a quibble with one aspect of it: the layout of this satirical overview of American history — in spite of the inspired decision to emulate the look and feel of a secondary school social studies text — is a drag. Art directed by famed Pentagram partner Paul Scher, it displays very little of the attention to detail and impeccable taste that Scher is known for: the colors are wacky, the typography is far too lightweight in the body and clumsy and unfeeling in the headlines, and the ornamentations are half-hearted. It’s probably a good guess that the majority of the design budget was spent on the manuscript’s many, many joke illustrations — they do the job, but not with much panache. I know, it⁏s probably a bit narrow-minded of me to criticize a satire for its graphic design shortcomings, but I’m just reflecting how high my hopes ran when I heard about the dream team combination of Jon Stewart’s content and Paula Scher’s design. Too bad.
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One Comment
Paul Ford
I agree with this; the entire book has a very hurried feel. The prose feels like it was carefully copy-edited, but without much thought as to the unified message and feel of the book; it’s like “Jon Stewart’s Big Politix Joke Book” rather than a unified whole. I was also a little suprised to see Pentagram do a less than excellent job on the design. It’s fun, but it has “rush job” all over it.
I agree with this; the entire book has a very hurried feel. The prose feels like it was carefully copy-edited, but without much thought as to the unified message and feel of the book; it’s like “Jon Stewart’s Big Politix Joke Book” rather than a unified whole. I was also a little suprised to see Pentagram do a less than excellent job on the design. It’s fun, but it has “rush job” all over it.