Subtraction.com

EMusic versus iTunes

In just a few days of having a trial membership to EMusic, I’ve already downloaded more songs than I have in months of browsing the Apple iTunes Music Store, and this in spite of how much my bias towards all things Apple wanted to like the that Mac-only service. Once or twice a week, I would browse its catalog, hoping that I would come across some music that was remotely interesting enough for me to shell out 99¢ or more, but more often than not, I came up short — the albums I wanted were missing, or their track listings omitted crucial songs. I think I bought one album and three individual songs from the iTMS, for a grand total of about US$13.

By contrast, after only a few days of browsing, I’m ready to commit to at least a three-month membership at EMusic at the rate of at US$14 per month. While EMusic may not offer the breadth of the major labels’ blandest, most mainstream albums, it stocks an impressive supply of more obscure releases — the kind of music to which I naturally gravitate.

Here’s what I’ve downloaded so far:

These are nowhere to found in the iTMS, and even if they were, they would be somewhat inelegantly hobbled by Apple’s earnest but imperfect FairPlay rights-management system. By contrast, the EMusic offering is entirely MP3-based, meaning that I have exactly the same freedom with these tracks as I would with any MP3s that I legally rip from CDs that I own.

This leaves me feeling pretty bearish on the iTunes Music Store; its selection is so paltry that I can’t see myself spending any serious money there anytime soon. I still hold out hope for it to improve though, especially with promises for the inclusion of more independent record labels. In the meantime, I expect EMusic will win my dollars… and, for better or worse, it will continue to feed my recent insatiability for more and more music.

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